Noise reduction software review 2011

The documentation was also organized so that you could get a lot of information, but only if you wanted to. If you already know about luminance and chrominance, you can just get going with the software. Once the file is open, click the Device Noise Profile tab along the top. The software needs an area in the image that is made up of a solid color, with no other details.

In my experience, it can automatically figure a correct region out, but if you need the control, you can have it. Once you click Auto Profile, the software outlines a region of the image to build its noise profile notice the blue box in the screen shot below.

Once the profile is built, click the Noise Filter Settings tab. On the right side of the screen are a set of controls see image below to adjust the settings already determined by the software. For a great explanation of how the controls work, visit the documentation online at neatimage. Click the Preview button for a small preview area on the image. A blue square is outlined inside of which, the noise reduction settings are applied.

Adjusting them is very convenient and the result can be seen straight away. Color noise can be reduced with the help of Strength and Defringe sliders. This program has pop-up windows with handy information on the noise profile of your image by Frequency and Color. These two are factors that analyze the noise in the areas you work with. WidsMob is a highly functional software for easy and quick viewing of photos in various modes. This is one of the greatest solutions for finding and managing your photos and videos in electronic format in a convenient and simple way.

WidsMob offers multiple advantages, including user-friendly UI. It also allows viewing a single image or several folder-based pictures at different angles. This software is similar to Capture One and Lightroom with great alternative tools for image editing, lots of camera profiles, and local adjustments.

It is so efficient that many photographers prefer using this program just for the task of reducing noise. So, it is truly one of the best noise reduction software for this particular job. Image Denoiser analyzes images with the help of AI technology and helps users remove noise by smoothing out pixels. This method makes it different from traditional noise reduction tools.

This software is a perfect option for beginners and those who want to save time. This photo noise reduction software copes with the task even if your camera is not a professional one.

Noise Reducer Pro reduces noise making the images beautiful and qualitative. Skilled professionals, as well as beginners, will appreciate the capabilities of this photo noise reduction software. As a result, you will get sharp and noiseless images.

If you are looking for the best noise filter program to replace Lr, pay attention to Capture One. It can import Lr catalogs and edit RAW files.

Capture One has some more efficient tools and more settings and options. Judging by the price, this program is created for professional shooters.

Besides, its features are also not amateur-oriented. It also offers such adjustments as luminance or chromatic noise removal. This photo noise reduction software is a great option for Lr fans since it works almost in the same way. Moreover, Camera Raw is used as Lr plug-in to convert photos. In order to find Noise Reduction controls, go to the Detail Tab.

The program includes an image file that displays a pattern of different colored boxes. This document is intended to be printed and then photographed at a variety of ISO settings. The resulting photos are then analyzed and the settings saved as profile settings which, as a group, comprise a custom camera profile. Alternately, you can download a profile for your camera from the Noise Ninja website. My results with pre-made profiles have been mediocre, at best, unfortunately.

For some reason, the plugin tends to load the ISO profile settings for my ISO files, which produces an odd, blotchy pattern which is much worse than using auto-profiling.

This may be an anomaly with the D80, however. Once the profile has been loaded, it will automatically be used any time the plug-in is called upon to process a picture from a corresponding camera, so this can be considered a one time or few time, if you have a few cameras procedure rather than part of a manual workflow.

With the profile loaded, you can proceed to make any necessary adjustments to the Strength and Smoothness sliders, but adjustments beyond that are rarely necessary. Despite their overall excellence when it comes to documentation, the folks at Picture Code seem to have overlooked mention of the Colors sliders. There are three of them, and by default, they are set to It does not mention, for example, which slider represents which color.

Almond mentions in his review? Whatever the case may be, adjustments with these sliders are not usually necessary… in fact, in my version there is no appreciable difference in the preview window between having all three set to zero or set to The Noise Brush is even better, though, because it allows you to electively mask just the luminance or chroma noise or both, of course… which ends up being functionally the same as using a layer mask.

Not so if you use the Noise Brush … you can save the detail by masking the the luminance NR but remove the speckled colors by allowing the chroma NR. Noise Ninja has good documentation and is quick and easy to use. Its default settings seem to be more conservative than other programs, but manual adjustments are easy. The Noise Brush is a very helpful addition. Noiseware is also one of the most well respected NR programs, having been recommended by sites such as michaelalmond.

Again, it is a simple matter to install: just execute the file and click OK when prompted. When the entire window is re-sized, the preview pane is also re-sized, making it possible to significantly enlarge the preview area, which I find to be an advantage over Noise Ninja.

If used fully automatically, Noiseware is even simpler than Noise Ninja, in that the instructions do not even suggest that you should make manual adjustments to taste before pressing OK.

Used in the manner, I find that NW is a little heavy handed on fine detail, although thoroughly sufficient on noise. I might use defaults for processing wedding proofs, but I would not use it for any sort of final product. In addition to the default settings, there are also several pre-sets which can be chosen from a drop-down menu above the main controls to the left of the window.

If your image fits into one of the categories listed, selecting it may provide better results. Beyond the auto-profile, though, NW has 10 groups of sliders for fine tuning the noise reduction. For those of us that are perfectly happy to study the technical details, this is just fine… I enjoy having as much control as possible.

For those who prefer a simpler, more efficient approach, this program may seem a bit daunting. Similar to exposure bracketing on your SLR, but with different levels of noise reduction. Seems like a solid backup plan. A program with some great ideas and implementation, but also a bit more complex than some people will like.

Its defaults are a bit too aggressive on fine detail for my tastes, but they do a great job on nearly everything else. I should mention here that I was shocked at how perfectly the noise was removed from highly detailed areas when I took the time to adjust the settings manually, although doing so did allow some noise to remain in areas that should have been smooth tones. Nik Software has produced a very popular, well known suite of Photoshop plugins which we all see advertised in our favorite imaging magazines along with Alienskin, onOne… etc.

Installation is simple, although on my x64 system, I was annoyed that I could only install this plugin for the bit version of Photoshop. Naja… so ist das Leben. The literature for Dfine is substantial, including a 47 page pdf guide and a healthy help menu accessible from within the plugin. Functionally, the interface is unlike the others as well.

The default view is pretty annoying, with the only comparative view to be found in half of the small window in the bottom right corner.

There are, however, two others: a split view in the main window and a side by side view. If Noiseware was a bit complicated with 10 sets of sliders, Dfine is a bit simplistic, with only 1 set of adjustment sliders, plus some selection controls. This plugin screams to be used in full automatic mode.

In fact, the only manual controls other than loading manual profiles are hidden by default. Manual operation is actually not much different. A camera profile can be loaded, and the two sliders can be adjusted. Further selections can be made on the image to help refine the profile as well. Otherwise, this is a quick, simple plugin. One of the points of interest with Dfine is how it handles layers.

Again, this saves some steps, but because the selective NR is taking place outside of the Dfine environment, you do not get a choice of brushing in or away chroma or color noise separately, as is possible with Noise Ninja. It is also worth mentioning that, because of the way that Dfine handles images as separate layers, Dfine is the only program in this group that can de-noise a CMYK image rather than a single channel.