Desert blues ambiances du sahara rar




















Ntanan - Sali Sidibe Jaarou - Abou Djouba Majid Bekkas: Daymallah Lobi Troare: Anunka Ben Abaji: Gibran Hasna el Becharia: Hakmet Lakdar Trab - Cheb Mami Minia - Nahawa Doumbia Wolodennu - Lobi Traore Toko - Momo Wandel Souman Sufi Dialogue - Soliman Gamil Baba Drame - Boubacar Traore Azara al hay - Rasha Sama Guitare - El Hadj n'Diaye Aitma - Tartit Yango - Mounsour SEck Djelimady Tounkara - Fanta Bourama Souad Massi - Raoui Khaled - Wahrane, Wahrane Tiris - El Nabi Marcus James - Dream After dream Bako Dagnon - Lassidan Fula Flute - Keme Bourema Gigi - Bati Bati Cherif M'Baw - Baayo Abdoulaye Alhassane Toure - Humaisa Dhafer Youssef - A kind of love Seckou Keita Quartett - Tounga Ali Farka Toure - Penda Yoro Boubacar Traore - Kar Kar Datblygu 's music is influenced by post-punk, synth-pop, indie and experimental rock but the idiosyncratic songwriting of Dave Edwards coupled with the use of weird welsh language, gives it a unique character.

After a long inactive period Datblygu seem to show some action again. Recent works of theirs are two 7'' singles, released in and The two late '70s - early '80s veterans formed this outfit in in search of new musical directions. Their 2-track 7'' single " Words Are Worms " was out on french label Amanita in Raeo 's explorations lie on a fusional jazz-post dance-ambient-world area, where each artist's prehistory is present, updated though and enriched with new references and perspectives.

Basslines, electronic rhythms, prog guitars, samples, effects and Cunningham 's brass create the diverse and yet cohesive soundscapes of RAEO. A lyrical, abstract, structured and improvised invasion. Fourteen Downtown or Downtown-related avantgardists celebrate the work of the famous jazzman, pianist, composer Dave Brubeck who passed away just recently -December The artists not only leave the clear mark of their own idiosyncracy on the compositions but in many occasions their imaginative approach creates a surprisingly big distance from the originals.

Nevertheless this "unfaithfulness" seems to work fine! The music is amusing and very eclectic; the overall result gives true honours to the innovative side of the legendary artist, revealing as well the deep influence of Brubeck 's spirit in some of the most forward-acting musicians of the recent times.

Released on John Zorn's Avant label in A LFDJ compilation including -as usual- some rare or obscure stuff. After that they probably disappeared. A live performance, or rather an audio-visual show at planetarium Wilhelm-Foerster-Sternwatre that happened, as part of the festival activities for "Berlin - Cultural European Capital", in early summer of , just few weeks only before Nico 's sudden passing away.

The theme of "Fata Morgana" is the moon deserts. All compositions are written specifically for the needs of this event, apart from the ending "You Forget To Answer" which bridges the past with the berlin sky of that night absolutely shiveringly. Nico's Last Concert was released initially on cd in and reissued recently Lutz Ulbrich , organisator and producer of that performance writes about "Fata Morgana": "In Martina Marx and i had the idea to organize 'fata morgana - desert sounds in the planetarium' for the festival year 'berlin - kulturstadt europas '.

We at once thought of nico, who i had known for years since we had worked and lived together in the 70s. She had often told me how impressed she had been by the Death Valley, where she hung out with Jim Morisson and where she had been working on the film 'la cicatrice interieure' by Philippe Garrel, which they filmed at locations like Death Valley, Iceland and the Sahara, a picture of which you can see on the cover of 'Desertshore'.

When i called her in Manchester to ask her to compose "music for a desert", she spontaneously proposed the stone desert of the moon as a theme. It was obvious, that her magical aura would enable her to turn the whole planetarium into a moon desert and become the highlight of the festival.

Werner Celnic, director of the planetarium, who operated the optical effects and who completed the music with wonderful pictures and films of the moon, seemed to be in his element. The 6th of June Nico gave a magnificent double concert in a sold out planetarium, from which this is the mix: Nico's last concert. For New Jersey's "backward boys" The Cheepskates , it was this third album which made things much clearer. A band, melodically gifted, with a great sense of true, unforced fast-short songcrafting, was ready now to lead its very own path from the faded summers of the previous decades towards the 80's garage-revival lands.

The started here cooperation with euro-psych label Music Maniac spred them perhaps a little further, The Cheepskates though, after all, they didn't get the attention they deserved. Mahmoud Ahmed. Agne Anko. Kante Manfila. Track Listing - Disc 2. Ma'bud Allah. Ashabab Yidie Shabab Aldual. Dimi Mint Abba. Yero Mama. Baaba Maal. Umri Ma Bansa. Beyt Bieh. Kel Akalin. Sali Sidibe. Release Date December 10, Mwashah Traditional. Hamza el Din.

Diaraby Traditional.



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